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Stick-fighting or stickfighting (sometimes spelled stick fighting) is a generic term for martial arts which use simple long slender, blunt, hand-held, generally wooden 'sticks' for fighting; such as a staff, cane, walking stick, baton or similar. Some techniques can also be used with a sturdy umbrella or even a sword in its scabbard.
Thicker and/or heavier blunt weapons such as clubs or the mace are outside the scope of "stick-fighting" (since they cannot be wielded with such precision, so sheer force of impact is more important), as are more formed weapons such as the taiaha used by the Māori of New Zealand, and the macuahuitl of Aztec warfare.
Although many systems are defensive combat techniques intended for use if attacked while lightly armed, others such as kendo, modern arnis and gatka were developed as safe training methods for dangerous weapons. Whatever their history, many stick-fighting techniques lend themselves to being treated as sports.
In addition to systems specifically devoted to stick-fighting, certain other disciplines include it, either in its own right, as in the Tamil martial art silambam, or merely as part of a polyvalent training including other weapons and/or bare handed fighting, as in Kerala's kalaripayat tradition, where these wooden weapons serve as preliminary training before practice of the more dangerous metal weapons.
Stick-fights between individuals or large gatherings between sub-tribes where men fight duels are an important part of the anthropological heritage of various cultures, especially tribes such as the Surma people of Ethiopia, where donga stick-fighting is an important cultural practice and the best means of showing off to look for a bride, often nude or nearly so, and their more warlike neighbors, the Nyangatom people, who fight duels bare-chested, the aim being to inflict visible stripes on the back of the adversary, using not plain staffs but sticks with a flexible, whipping tail-end.
Traditional European systems of stick-fighting included a wide variety of methods of quarterstaff combat, which were detailed in numerous manuscripts written by masters-at-arms. Many of these methods became extinct but others adapted and survived as folk-sports and self-defence systems. Examples include Portugal's jogo do pau, the related juego del palo of the Canary Islands, France's canne de combat or la canne, and Italy's scherma di bastone. Giuseppe Cerri's 1854 manual Trattato teorico e pratico della scherma di bastone is influenced by masters of the Italian school of swordsmanship, Achille Marozzo and perhaps Francesco Alfieri.
The French system of la canne is still practised as a competitive sport. A self-defense adaptation of la canne developed by Swiss master-at-arms Pierre Vigny in the early 1900s has been revived as part of the curriculum of bartitsu.1
In the US during the early years of the 1900s, fencer and self-defense specialist A. C. Cunningham developed a unique system of stick-fighting using a walking stick or umbrella, which he recorded in his book The Cane as a Weapon.
Singlestick was developed as a method of training in the use of backswords such as the cavalry sabre and naval cutlass. It was a popular pastime in the UK from the 18th to the early 20th century, and was a fencing event at the 1904 Summer Olympics. Although interest in the art declined, a few fencing coaches continued to train with the stick and competitions in this style of stick-fighting was reintroduced into the Royal Navy in the 1980s by commander Locker Madden. The art continues to gain a small following amongst the martial art community in the UK, Australia, Canada and the US.
Sticks and staves of various sizes are common weapons in Asian martial arts, in which they vary in design, size, weight, materials and methodology, and are often used interchangeably and alongside open-hand techniques. For example, eskrima, of the Philippines uses sticks traditionally crafted from rattan or from butterfruit tree and may be wielded singly or as a pair.