5th-century terracotta sculpture of wrestlers from Uttar Pradesh
|Country of origin|| India
|Famous practitioners||Siddhartha Gautama
Krishna Deva Raya
Deva Raya II
Malla-yuddha (Devanagari: मल्लयुद्ध,1 Bengali: মল্লযুদ্ধ, Kannada: ಮಲ್ಲಯುದ್ಧ, Telugu: మల్ల యుద్ధం malla-yuddhaṁ ) is the traditional South Asian form of combat-wrestling2 created in what is now India, Pakistan, Bangladesh and Sri Lanka. It is closely related to various Southeast Asian wrestling styles such as naban and is the ancestor of kusti.
Malla-yuddha incorporates grappling, joint-breaking, biting, choking and pressure point striking. Matches were traditionally codified into four types which progressed from purely sportive contests of strength to actual full-contact fights known as yuddha.3 Due to the extreme violence, this final form is generally no longer practised. The second form, wherein the wrestlers attempt to lift each other off the ground for three seconds, still exists in south India. Additionally, malla-yuddha is divided into four styles, each named after Hindu gods and legendary fighters: Hanumanti concentrates on technical superiority, Jambuvanti uses locks and holds to force the opponent into submission, Jarasandhi concentrates on breaking the limbs and joints while Bhimaseni focuses on sheer strength.
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Malla-Yuddha is not to be confused with Tamil Malyutham of South. Though the names are almost similar, they both, Malla - Yuddha and Malyutham are two dfferent Martial Arts. In Sanskrit, mallayuddha literally translates to "wrestling combat". Strictly speaking, the term denotes a single pugilistic encounter or prize-fight rather than a style or school of wrestling. It is a tatpurusha compound of malla (wrestler, boxer, athlete) and yuddha or juddho (fight, battle, conflict). The compound is first attested in the Mahabharata referring to boxing matches such as those fought by Bhima. Another word for a sportive wrestling match or athletic sports more generally is mallakrמḍa. The second element, krמḍa (sport, play, pastime, amusement) implies a more limited-contact style of folk wrestling rather than true grappling combat.
The term malla was historically a proper name referring to, among other things, the Mala caste of Dravidian Dalit inhabiting present-day Andhra Pradeshcitation needed, an asura known as mallגsura and the name of a tribe from the Malla Kingdom mentioned in the Mahabharata. The name Malla was also used in this sense for an ancient mahajanapada, a Nepalese dynasty descended from them, and the Mallabhum kingdom in Bishnapur. In the Manusmriti (10.22; 12.45), it is the technical term for the offspring of an out-caste kshatriya by a kshatriya female who was previously the wife of another out-caste.
Wrestling in South Asia has a history of 5000 years.3 Competitions held for entertainment were popular among all social classes, with even kings and other royalty taking part. Wrestlers represented their kings in matches between rival kingdoms; death matches before the royal court served as a way to settle disputes and avoid large-scale wars. As such, professional wrestlers were held in high regard. In pastoral communities, people would even wrestle against steers.
The first written attestation of the term mallayuddha is found in the Ramayana epic, in the context of a wrestling match between the vanara King Bali and Ravana, the king of Lanka. Hanuman, the monkey god of the Ramayana, is worshipped as the patron of wrestlers and general feats of strength. The Mahabharata epic also describes a wrestling match between Bhima and Jarasandha.4 Other early literary descriptions of wrestling matches include the story of Balarama and Krishna.
Stories describing Krishna report that he sometimes engaged in wrestling matches where he used knee strikes to the chest, punches to the head, hair pulling, and strangleholds.5 He defeated Kans, king of Mathura, in a wrestling match and became new king in his place. Siddhartha Gautama himself was said to be an expert wrestler, archer and sword-fighter before becoming the Buddha. Based on such accounts, Svinth traces press ups and squats used by Indian wrestlers to the pre-classical era.5 Later, the Pallava king Narasimhavarman acquired the moniker Mahamalla meaning "great wrestler" for his passion and prowess in the art.
Competitions in ancient times were announced by a tambourine-player a week beforehand. Matches took place at the palace entrance, in an enclosure set aside for games and shows. The wrestlers typically came of their own accord during public festivals, along with magicians, actors and acrobats. Other times they would be hired by nobles to compete. Winners were awarded a substantial cash prize from the king and presented with a victory standard. Possession of this standard brought national distinction.6
The scene of action was gay with flags flapping, and the citizenry quickly packed the rows of benches. When the wrestlers climbed into the arena, they strutted around, flexing their muscles, leaping in the air, crying out and clapping their hands. Then they grappled, holding each other tightly around the waist, their necks resting on each other's shoulder, their legs entwined, while each attempted to win a fall or break the hold.
The Manasollasa of the Chalukya king Someswara III (1124–1138) is a royal treatise on fine arts and leisure. The chapter entitled Malla Vinod describes the classification of wrestlers into types by age, size and strength. It also outlines how the wrestlers were to exercise and what they were to eat. In particular the king was responsible for providing the wrestlers with pulses, meat, milk, sugar as well as "high-class sweets". The wrestlers were kept isolated from the women of the court and were expected to devote themselves to building their bodies. The Manasollasa gives the names of moves and exercises but does not provide descriptions.1
The Malla Purana is a Kula Purana associated with the Jyesthimalla, a Brahmin jāti of wrestlers from Gujarat, dating most likely to the 13th century. It categorizes and classifies types of wrestlers, defines necessary physical characteristics, describes types of exercises and techniques of wrestling as well as the preparation of the wrestling pit, and provides a fairly precise account of which foods wrestlers should eat in each season of the year.1
As the influence of Indian culture spread to Southeast Asia, malla-yuddha was adopted in what are now Thailand, Malaysia, Java, and other neighbouring countries. It was popular not only among commoners but also patronized by royalty. The legendary hero Badang was said to have engaged in such a wrestling match against a visiting champion in Singapore.
Traditional Indian wrestling first began to decline in the north after the medieval Muslim invasions when influences from Persian wrestling were incorporated into native malla-yuddha. Under Mughal rule, courtly fashion favoured the Persianate pehlwani style. Traditional malla-yuddha remained popular in the south, however, and was particularly common in the Vijayanagara Empire. The 16th-century Jaina classic Bharatesa Vaibhava describes wrestlers challenging their opponents with grunts and traditional signs of patting the shoulders. Sculptures at Bhatkal depict wrestling matches, including female wrestlers. As part of his daily routine, the king Krishna Deva Raya would rise early and exercise his muscles with the gada (mace) and sword before wrestling with one of his wrestlers. His many wives were tended to by only female servants and guards, and among the 12,000 women in the palace were those who wrestled and others who fought with sword and shield. During the Navaratri festival, wrestlers from around the empire would come to the capital in Karnataka to compete in front of the king, as described by the Portuguese traveller Domingo Paes.7
Then the wrestlers begin their play. Their wrestling does not seem like ours, but there are blows (given), so severe as to break teeth, and put out eyes, and disfigure faces, so much so that here and there men are carried off speechless by their friends; they give one another fine falls too.
Malla-yuddha is now virtually extinct in the northern states, but most of its traditions are perpetuated in modern kusti. The descendents of the Jyesti clan continued to practice their ancestral arts of malla-yuddha and vajra-musti into the 1980s but rarely do so today. Malla-yuddha has survived in south India however, and can still be seen in Karnataka8 and pockets of Tamil Nadu today.
Wrestlers train and fight in a traditional arena or akhara. Matches take place in a clay or dirt pit, thirty feet across and either square or circular in shape. The soil of the floor is mixed with various ingredients, including ghee. Before training, the floor is raked of any pebbles or stones. Water is added approximately every three days to keep it at the right consistency; soft enough to avoid injury but hard enough so as not to impede the wrestlers' movements. Wrestlers begin each session by flattening the soil, an act which is considered both a part of endurance training and an exercise in self-discipline. During practice, wrestlers throw a few handfuls of dirt onto their own bodies and that of their opponents as a form of blessing, which also provides for a better grip. Once the arena has been prepared a prayer is offered to the gym's patron deity, most commonly Hanuman. Every training hall has a small makeshift altar for this purpose, where incense is lit and small yellow flower garlands are offered to the god. This is followed by paying respect to the guru by touching the head to his feet, a traditional South Asian sign of respect for elders.
Many wrestlers live at their training hall but this is not always required. Traditionally revered as extensions of Hanuman, all wrestlers are required to abstain from sex, smoking and drinking so the body remains pure and the wrestlers are able to focus on cultivating themselves physically, mentally and spiritually. This purity is also said to help achieve the highest level of martial and sporting perfection. A wrestler's only belongings are a blanket, a kowpeenam (loincloth) and some clothes. In this regard, they are often compared to Hindu-Buddhist holy men.2
Boys typically start training at the age of ten to twelve. To avoid stunting their growth, young trainees are first taught kundakavartana, callisthenics and exercises to develop their overall strength and endurance without equipment. Exercises that employ the wrestler's own bodyweight include the sun salutation (Surya Namaskara), shirshasana, Hindu squat (bethak) and the Hindu press-up (danda), which are also found in hatha yoga. After acquiring the necessary power and stamina, students may begin khambhasrama, referring to exercises that use the mallakhamba or wrestler's pillar. There are a number of pillars, although the most common is a free-standing upright pole, some eight to ten inches in diameter, planted into the ground. Wrestlers mount, dismount and utilize this pole for various complex callisthenics designed to develop their grip, stamina, and strength in the arms, legs and upper-body. In a later variation, the pole was replaced with a hanging rope. Rope mallakhamba is today most commonly practiced by children as a spectator sport in itself rather than its traditional role as a form of training for wrestling.
Other training concepts include the following.
- Vyayam: Physical training in general. This includes rope climbing, log pulling, running and swimming.
- Rangasrama: Refers to the wrestling itself and its techniques. Includes locks, submission holds, takedowns and, formerly, strikes.
- Gonitaka: Exercises done with a large stone ring called a gar nal in Hindi. It can be swung, lifted, or worn around the neck to add resistance to press-ups and squats.
- Pramada: Exercises performed with the gada (mace). An exercise gada is a heavy round stone attached to the end of a meter-long bamboo stick.
- Uhapohasrama: Discussion of tactics and strategies.
- Mardana: Traditional massage. Wrestlers are given massages and also taught how to massage.
- Alter, Joseph S. (August 1992b). The Wrestler's Body: Identity and Ideology in North India. Berkeley: University of California Press.
- Alter, Joseph S. (May 1992a). "the sannyasi and the Indian wrestler: the anatomy of a relationship". American Ethnologist 19 (2): 317–336. doi:10.1525/ae.1992.19.2.02a00070. ISSN 0094-0496.
- Donn F. Draeger and Robert W. Smith (1969). Comprehensive Asian Fighting Arts. Kodansha International Limited.
- Alter, Joseph S. (May 1992a). "The "sannyasi" and the Indian Wrestler: The Anatomy of a Relationship". American Ethnologist 19 (2): 317–336. doi:10.1525/ae.1992.19.2.02a00070. ISSN 00940496.
- J. R. Svinth (2002). A Chronological History of the Martial Arts and Combative Sports. Electronic Journals of Martial Arts and Sciences.
- Jeannine Auboyer (1965). Daily Life in Ancient India. Phoenix Press. p. 252. ISBN 1-84212-591-5.
- Robert Sewell (1982). A Forgotten Empire: Vijayanagar. Adamant Media Corporation. ISBN 0-543-92588-9.
- "The Lost Temples Of India". TLC. 1999
- Martial arts of India by R. Venkatachalam (1999)